Through The Lens: Crippled Black Phoenix / MØL / Impure Wilhelmina @ Rebellion, Manchester, 9th September 2022
I took a trip to the Rebellion venue in Manchester last Friday to photograph the triple header of prog overlords
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Black Metal
Review: Glassing ‘Dire And Sulk’ EP
A glassing is a rather nasty way of being attacked and is done by somebody armed with broken glass or
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Review: Sacred Son ‘The Foul Deth Of Engelond’
Flames lick the walls of the Tower beneath a dishwater sky, as fork-wielding peasants disembowel a bishop. Heads flail on
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Review: I Am The Night ‘While The Gods Are Sleeping’
I Am the Night may be a brand new entity but their music is conjured into being by four long
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Review: postcards from new zealand ‘burn, witch, burn’
I chose to review postcards of new zealand’s burn, witch, burn to step outside of my comfort zone. The promo
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Review: Wiegedood ‘There’s Always Blood At The End Of The Road’
If there’s one thing that has defined Wiegedood‘s music up to this point it is a simple word: intensity. Few
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Review: Mother ‘Interlude I’ EP
Mother are a post-black metal band from Oostende, Belgium who started in 2017. Aside from that nugget of information, they’re
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Review: Doodswens ‘Lichtvrees’
There’s a point early in Zwarte Staar, the powerful third track on this debut album by Doodswens where, in spite
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Review: So Hideous ‘None But A Pure Heart Can Sing’
New York post-black metal experimentalists So Hideous are back after a lengthy hiatus. Their original tenure saw them produce two
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Review: Gaahls WYRD ‘The Humming Mountain’
Since the whole Gorgoroth name dispute debacle, Gaahl has gone a long way to repairing his reputation. While there are
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Review: 1914 ‘Where Fear And Weapons Meet’
1914 are a Ukrainian death/doom/black metal band who sing, play, and seem to ooze the tales of the First Great
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