Review: Wiegedood ‘There’s Always Blood At The End Of The Road’
If there’s one thing that has defined Wiegedood‘s music up to this point it is a simple word: intensity. Few
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Author: Will J
Top Ten Of 2021: Will J
This year certainly hasn’t been as chaotic as the last, but it feels like there’s been even more music making
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Review: So Hideous ‘None But A Pure Heart Can Sing’
New York post-black metal experimentalists So Hideous are back after a lengthy hiatus. Their original tenure saw them produce two
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Review: Gaahls WYRD ‘The Humming Mountain’
Since the whole Gorgoroth name dispute debacle, Gaahl has gone a long way to repairing his reputation. While there are
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Review: Scarecrow ‘Scarecrow II’
The difficulty with modern bands playing in a style that is rooted in the ’70s metal revolution is that so
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Review: Deber ‘Aspire To Affliction’
There are times where you want to hear something new and fresh within a tried and tested genre, but at
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Review: KITE ‘Currents’
I’ve always had a love for Swedish metal, whether it’s the melodeath of At the Gates, the post-sludge of Cult
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Review: Wolves In The Throne Room ‘Primordial Arcana’
In the summer of 2014, shortly after the release of the band’s fifth full-length album Celestite, the talk amongst fans
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Review: Malossi ‘Blanke Barter’
One of the most intriguing things in the progression of any genre is the way artists in different geographical regions
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Review: King Woman ‘Celestial Blues’
Sometimes hype from the media can become overbearing for an artist, even if it’s something they don’t engage with or
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Review: Underdark ‘Our Bodies Burned Bright On Re-Entry’
It’s interesting to note that I actually speak more about post-hardcore, emo and screamo in this review than I do
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