Review: Serpentent ‘Ancient Tomes, Volume I: Mother Of Light’
Ancient Tomes, Volume I: Mother Of Light, the debut album by Serpentent, has just been released through Svart Records, and
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Review: Sator ‘Cleansing Ritual’
Sator hail from Genoa, Italy, and with this their third album they are clearly making confident strides towards being spoken
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Review: Domkraft/Slomatics ‘Ascend/Descend’
Split releases come in a range of flavours – from new or smaller bands getting material out there cheaply, to
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Review: Somali Yacht Club ‘The Space’
It’s hard enough for musicians to make any sort of living normally. But COVID made touring impossible, then finally bands
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Review: Steak ‘Acute Mania’
I picked up a copy of Slab City, Steak’s debut album in about ’15. I immediately dug their raw, fucked-off
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Review: Stone Axe ‘Stay Of Execution’
So, as I was already a fan of Mos Generator, I was naturally aware of the musical talents possessed by
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Review: SNEERS. ‘Tales For Violent Days’
SNEERS. were formed in 2012 by MG Blaankart (vocals, guitar) and Leonardo O. Stefenelli (drum) in Berlin, although they have
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Review: Schizophrenia ‘Recollections Of The Insane’
The amalgamation of genres can be a tricky place, we’ve all been suckered in by the lure of a black
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Review: Sleepwulf ‘Sunbeams Curl’
At this point, ‘retro-Swedish-doom’ might as well be its own sub-genre of heavy stoner, doom, and rock. As has been
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Review: Stargo ‘Dammbruch’
Stargo have been churning out psychedelic stoner doom since 2008, and their combination of raw power and hazy, cosmic freakouts
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Review: SOM ‘The Shape Of Everything’
I went through an exceptionally long period where I attempted to be intimidating in the small town I attended high
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