Review: Mat Ball ‘Amplified Guitar’
Hello (again?) dear reader, thanks for taking the time to peruse this review when there are so many other things
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Author: George Green
Review: The Utopia Strong ‘International Treasure’
I want to take you back, back to a time that many of you may not have lived through. A
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Review: Aidan Baker ‘Tenebrist’
Ladies and Gentlemen, we are suffocating in inner space. Aidan Baker is probably best known as half of the experimental,
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Review: Oren Ambarchi / Johan Berthling / Andreas Werliin ‘Ghosted’
Repetition in music can be a divisive thing. On one hand the riff, by definition, is a relentlessly repeated hook
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Review: droneroom ‘Whatever Truthful Understanding’
Ten minutes and nine seconds after pressing ‘play’, on completion of God Does Not Help Those Who Are Invisible –
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Review: Spaceship ‘Ravines’
Let’s get the practicalities out of the way first. Spaceship is musician, sound artist and educator Mark S. Williamson. His
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Top Ten Of 2021: George Green
What to say about 2021? To misquote Mr. Dickens, ‘it was not the best of times, it was not the
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Review: Ricardo Jiménez Y Antonio Ramírez ‘Génesis Negro’
When a release is accompanied by a press note that describes it as being for fans of Earth, Sunn O))),
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Review: Blackfold ‘Solarus’
Do you like heavy guitars? Drums? How about textural washes of synth? Perhaps you’re a fan of Latvia’s fabulous Eyrth,
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Review: Mark Solotroff ‘Not Everybody Makes It’
How important is it to be acquainted with the oeuvre of an artist before embarking on the listening required to
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Review: Fading Tapes ‘Cartographer’
One of the later chapters in Harry Sword’s excellent book Monolithic Undertow: In Search of Sonic Oblivion concerns itself with
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