Review: Night Child ‘Darkened Grid’ EP
Growing up in Albuquerque, New Mexico, I would find myself frustrated whenever I traveled. I’d continuously have to explain to
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Author: Martin Williams
Review: Corrosion Of Conformity ‘Good God/Baad Man’
Before getting into the fundamentals of Corrosion Of Conformity’s new double album, Good God/Baad Man, their first since 2018’s No
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Review: Aurelia Anne Cohen ‘The Magnolia Sessions’
While I personally have not yet covered any of Anti-Corp Music’s mainman, Dan Emery’s fabled The Magnolia Sessions, I’ve been
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Review: The Mon ‘Songs Of Embrace’
The Mon, the one-man, experimental, psychedelic project of Urlo, one of the primary engineers of legendary Italian universe destroyers, Ufomammut,
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Review: Hey Colossus ‘Heaven Was Wild’
Hey Colossus, the long-running, prolific, UK heavy noise-rockers return with album number fifteen, Heaven Was Wild, which, in the crazy
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Review: Suplecs ‘Hymns Under A Blood Moon Sky’
When I first began really digging into stoner rock around the turn of the millennium, one of the first bands
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Review: Rocky & The Sweden ‘Punks Pot Head’
Despite considering myself to be knowledgeable about both punk rock, as well as Japanese music and culture in general, I
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Review: Lord Elephant ‘Ultra Soul’
Florence, Italy’s chasm-opening, instrumental, cosmic doom trio, Lord Elephant, return with their second full-length, released once again through Heavy Psych
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Review: Dark Sky Burial ‘The Sacred Neurotic’
Dark Sky Burial, the prolific, one-man, dark, ambient and experimental project of extreme metal legend Shane Embury. The longtime bassist
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Review: The Mon ‘Songs Of Abandon’
The Mon, the acoustic, psych-folk, solo project from Urlo, the primary architect behind Italian heavy, portal-openers Ufomammut, had been floating
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Review: Bell Witch & Aerial Ruin ‘Stygian Bough: Volume II’
After five years, the Pacific Northwest doom ensemble Stygian Bough has returned with the follow-up to their 2020 debut, Volume
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