Review: Eremit ‘Desert Of Ghouls’
Relatively new to the scene, Eremit have been around since early 2015 and have seemingly challenged themselves to create some
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Doom
Review: Sleestak ‘Aeon’
Milwaukee’s Sleestak were on an upwards growth trajectory releasing Skylon Express which was the combination of two previously recorded EP
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Review: Boris ‘NO’, ‘Phenomenons Drive’ & Z.O.A Collaboration ‘Refrain’
It’s not the first time in Boris’ long and impressive history that fans have been treated to a bumper serving
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Premiere: 10,000 Years Track ‘Master Of Oblivion’
Alex Risberg, a name people might know from his time in Pike, has been a long time supporter of the
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Review: OHHMS ‘Close’
It’s June 2020, we’ve just endured months of lockdown, thanks to a killer virus, and the world seems to have
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Review: Vile Creature ‘Glory, Glory! Apathy Took Helm!’
Vile Creature’s latest full-length begins with a howl of such ferocity that, even if the rest of the album’s forty-four
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Review: Astral Sleep ‘Astral Doom Musick’
Ah Finland. Land of a Thousand Lakes. Home of some of metal’s most incredible and influential bands, particularly in the
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Review: Wino ‘Forever Gone’
Scott ‘Wino’ Weinrich should need no introduction but for the uninitiated he is a legend within the doom/stoner metal scene.
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Review: Close The Hatch ‘Modern Witchcraft’
Independent of any strict classification, yet beholden to the lineage of conceptual metal, Ohio based Close The Hatch stride confidently
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Review: Red Mesa ‘The Path To The Deathless’
Hailing from Albuqerque, New Mexico, Red Mesa released their third album, The Path To The Deathless kast week on 12th
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Review: Curse The Son ‘Excruciation’
Black Sabbath have a lot to answer for really. For me, unarguably the greatest heavy metal band of all time,
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