Review: Tomoyuki Trio ‘Mars’
Tomoyuki Trio’s Voiceless Cry begins with a surge of gradually blaring static. It practically bubbles out of the speakers and
Read More >>
Author: Rob Walsh
Brant Bjork Trio / Yawning Balch @ Knitting Factory, North Hollywood, 8th September 2023
Originally established in New York in 1987, the Knitting Factory is something of a venue franchise here in the States.
Read More >>
Review: Kita ‘Tyhjiö’
Despite being of partial Finnish ancestry, the language of Suomi has always seemed overwhelming to me (and everyone else), perhaps
Read More >>
Review: KIND ‘Close Encounters’
Formed in 2013, KIND is a Boston-area sonic slab-lobbing supergroup of sorts. The quartet is made up of drummer Matt
Read More >>
Review: Somnuri ‘Desiderium’
While New York’s Somnuri are described as a ‘progressive sludge’ or ‘post-sludge’ band, a term I would prefer to use
Read More >>
In A World Where Confusion Reigns: Farewell To Tony McPhee (1944 – 2023)
Some unfortunate news hit on June the 6th of this year. Tony McPhee, British guitarist and founder of The Groundhogs,
Read More >>
Review: Oreyeon & Lord Elephant ‘Doom Sessions Vol. 8’
Italian label Heavy Psych Sounds is certainly one of the more prominent labels in stoner and psych these days. Their
Read More >>
Review: Blood Ceremony ‘The Old Ways Remain’
After seven long years since their last record, Toronto’s premier occult rockers Blood Ceremony have returned. The Old Ways Remain
Read More >>
Review: The Stone Eye ‘Fata Morgana’
I make no bones about it, I bore the shit out of kids these days with tales of how awesome
Read More >>
Review: Tir ‘Awaiting The Dawn’
In the best way possible, I would describe Tir’s music on his latest offering the perfect soundtrack to a medieval
Read More >>
Review: The Golden Grass ‘Life Is Much Stranger’
As strange as it might sound, for all of its cultural prominence, I sometimes think New York City is, at
Read More >>