Review: Dead Sea Apes / The Band Whose Name Is A Symbol ‘Pantheon Of Fuckery’
To get the main point covered: this is a really nice spacey, psychy split, with a slightly odd album title.
Read More >>
Drone
Review: Boris ‘Fade’
THREE new Boris records in 2022? Man, I am a blessed human to have this much of my favourite band
Read More >>
Review: Charlie Butler ‘Ghost Light’
If you look up the word ‘prolific’ in a dictionary, there’s likely a picture of Charlie Butler accompanying the definition.
Read More >>
Review: Marc Urselli’s SteppenDoom
Open up and let it grab you by the throat. This album requires listening with non-prejudiced ears in order to
Read More >>
Nadja: Interview With One Half Of The Drone Duo Aidan Baker
In his review of Nadja’s absolutely crushing Labyrinthine, fellow Shaman scribe Jamie Grimes described the album as feeling like ‘…four
Read More >>
Review: The Lord & Petra Haden ‘Devotional’
Following up The Lord‘s (aka Greg Anderson) debut full-length Forest Nocturne comes this collaborative effort with Petra Haden; daughter of
Read More >>
Review: Nadja ‘Labyrinthine’
Berlin based Canadian duo Nadja have never, to my knowledge, produced anything that you might find best suited to a
Read More >>
Review: Lathe ‘Tongue Of Silver’
Hailing from Baltimore, Lathe are an instrumental post-rock three-piece with an utterly refreshing take on a subgenre that, like so
Read More >>
Review: Mat Ball ‘Amplified Guitar’
Hello (again?) dear reader, thanks for taking the time to peruse this review when there are so many other things
Read More >>
Review: Bong-Ra ‘Meditations’
Bong-Ra is a special kind of artist: A force for musical experimentation, and an unstoppable creative entity, he became established
Read More >>
Review: The Lord ‘Forest Nocturne’
Greg Anderson, a name you may know well, has been creating music since the late ‘80s first as a member
Read More >>