Review: KLÄMP ‘TOTAAL TECHNIEK’
Things have been quiet in the KLÄMP camp since 2020’s sophomore album Hate You dropped. The intervening years have seen
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Author: Reza Mills
Review: DEADPOP ‘OHM’
London’s DEADPOP are Sam Mathys on bass/vocals and Paul Antony (Ghold, Bruxa Maria, Test Dept) on drums/samples. The duo’s label
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Review: Pigs Pigs Pigs Pigs Pigs Pigs Pigs ‘Death Hilarious’
In 2023 I saw Pigs x7 with my long-term friend Jonah at The Ritz in Manchester, with support from the
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Review: Bag People ‘Bag People’
Bag People never put out a proper full-length album during their lifetime, their only output came in the form of
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Review: Iggor Cavalera/Shane Embury ‘Neon Gods/Own Your Darkness’
Even someone like me, who isn’t predominantly a ‘metalhead’, recognises the legendary names on this split release. On the off
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Review: Droni Eye Omi ‘Liminal Mass’
It’s been a fair while since I’ve reviewed anything from one of my favourite labels Desert Records (Book of Wyrms,
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Review: Venamoris ‘To Cross Or To Burn’
Venamoris debut Drown In Emotion made the number one spot of my Top Ten of 2023, so when I learnt
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Review: Nina Garcia ‘Bye Bye Bird’
With plaudits from Sonic Youth legend Thurston Moore who describes Bye Bye Bird as the ‘most exalted and sublime collection
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Review: Prison ‘Downstate’
New York’s Prison started in 2017 and their line-up consists of Paul Major (Endless Boogie) – guitar/vocals, Matt Leibowitz –
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She The Throne: An Interview With The Dark Electronic & Experimental Duo
Social media can be a pain, in the sense that people who you hoped to never hear from again are
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Review: Sleepbomb ‘The Sleeping Dead’
Compiling an end of year top ten is nigh on impossible as was proven by the fact that Sleepbomb‘s last
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