Review: KOLLAPS\E ‘Phantom Centre’
The backslash in KOLLAPS\E signifies a typographical mark used in computer programming, rather than English punctuation. Are the band computer
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Review: Captain Caravan & Kaiser ‘Turned To Stone Chapter 6’
These days I feel like I barely have any time to listen to new music let alone write about it
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Review: KEN mode ‘NULL’
I know very little about Winnepeg, aside from the fact that yer maun from Venetian Snares apparently has a low
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Review: Keiji Haino & SUMAC ‘Into this juvenile apocalypse our golden blood to pour let us never’
Like all good ideas, it’s surprising that the combination of free music monolith Kenji Haino and experimental heavyweights SUMAC hadn’t
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Review: King Buffalo ‘Regenerator’
I would be happy to just write a complete song one day, to come up with an original riff, and
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Review: Kaleidobolt ‘This One Simple Trick’
It’s been cool to watch the expansion of stoner, doom, and heavy rock & roll over the course of the
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Review: Kungens Män ‘Kungens Ljud & Bild’
Drawing on a number of influences and genres, Kungens Män from Stockholm, Sweden have mastered the art of improvisational music
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Review: Konvent ‘Call Down The Sun’
One thing worth clarifying is Konvent, translated from Danish to English means ‘convention’ rather than ‘convent’, as in a community
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Review: Kurokuma ‘Born Of Obsidian’
Kurokuma have been around for about eight years now, steadily building through a series of shorter recordings and local, UK,
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Review: King Bastard ‘It Came From The Void’
The great thing about music is that its muse and theme can come from pretty much anything and take the
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Review: Kulk ‘We Spare Nothing’
On their latest album We Spare Nothing, Suffolk two-piece Kulk effectively succeed at making a little sound like a lot.
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