Review: Void Cruiser ‘Call Of The Void’
As someone who grew up in the ‘nineties ’90s, reading the promo statement from Helsinki five-piece Void Cruiser citing influences
Read More >>
Author: Mark Hunt-Bryden
Review: Ahab ‘The Coral Tombs’
Herman Melville’s epic classic Moby Dick is an often terrifying story that takes the backdrop of the nineteenth-century Nantucket whaling
Read More >>
Review: Mos Generator ‘Time//Wounds’
Readers of this fine website will doubtless be familiar with the extensive output of veteran Tony Reed, producer, studio owner,
Read More >>
Clutch / Green Lung / Tigercub @ The Great Hall, Exeter, 15th November & O2 Academy, Bristol, 13th December 2022
Back in 2019 I became a single parent, I say this not as a poor woe-is-me opener, but as a
Read More >>
Top Ten Of 2022: Mark Hunt-Bryden
What a year. Whilst I may not have played Sweden or Canada, I changed career after fifteen years in quite
Read More >>
Review: Lull ‘That Space Somewhere’
Mick Harris, the man generally credited as the drummer who popularised the blastbeat, the only member of Napalm Death to
Read More >>
Review: Grava ‘Weight Of A God’
Personally, I have always found some connection with unpleasant, slow, grinding heavy music. There is something extremely cathartic when you
Read More >>
Review: Throwing Bricks ‘The Burden’
I have talked about genre definitions and pigeonholes before, the invention of which seems mainly to aid music journalists to
Read More >>
Review: Anima Morte ‘Serpents In The Fields Of Sleep’
This music reviewing gig is an easy lark right? A bit of background about the band, briefly talk through the
Read More >>
Review: The Grand Mal ‘II’
Oxford’s most restless sons, Ryan (guitars) and Elliot Cole (drums) of both Desert Storm and Wall, return to their collaboration
Read More >>
Review: Ggu:ll ‘Ex Est’
Dutch blackened doom outfit Ggu:ll are a deliciously gruesome prospect. Having formed in 2009, they have brought their themes of
Read More >>