Review: Death Engine ‘Ocean’
Death Engine was formed in Lorient, France in 2012 and have been climbing the ranks of the European underground post-metal
Read More >>
Author: Richard Murray
Review: Sconsacrata ‘Paroxysms’
This is my third consecutive review done on a band consisting of a single member. I’m still blown away by
Read More >>
Review: Sfeerverzieker ‘Death Is The Desired Ending’
Sfeerverzieker is fronted, sided, and backed by Sven Post who makes post-metal with a heavy emphasis on doom and sludge.
Read More >>
Review: Monovoth ‘Monovoth’
One man band Monovich is the brainchild of Lucas Wyssbrod, his previous projects include MOSTRO, Golden Cannibal, and Hail The
Read More >>
Review: Psychonaut ‘Violate Consensus Reality’
Psychonaut’s first album, 2018s Unfold The God Man, had a lot going for it. A cool sound gorgeous colored vinyl
Read More >>
Review: Mamaleek ‘Diner Coffee’
Mamaleek are two unknown brothers who weld black metal, trip hop, and jazz metal together. By masking the restrictions of
Read More >>
Review: Everest Queen ‘Murmurations’
A great feeling of sadness is felt throughout the runtime of Murmurations. Members Adam C Taylor on lead vocals and
Read More >>
Review: Process Of Guilt ‘Slaves Beneath The Sun’
A piece by Lee Jeffries titled Christ showing an emancipated man adorns the cover of Process Of Guilt’s newest venture
Read More >>
Review: Might ‘Abyss’
Might as a band were birthed on January 13th 2020 in Hannover, Germany. They’re a duo consisting of Ana Muhi
Read More >>
Review: Abest ‘Molten Husk’
Hailing from Göttingen, Germany, and forming in late 2011, Abest take great pride in culling together atmospheric post-metal and death
Read More >>
Review: AEIR ‘Vol I: A Frith Befouled’
AEIR are a band who take abundant pride in their storytelling. Being a UK and US based act and featuring
Read More >>