Review: Circle Of Sighs ‘Salo’
Let me start by saying that I was a little apprehensive, my love of good album artwork usually results in
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Review: Close The Hatch ‘Modern Witchcraft’
Independent of any strict classification, yet beholden to the lineage of conceptual metal, Ohio based Close The Hatch stride confidently
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Review: Curse The Son ‘Excruciation’
Black Sabbath have a lot to answer for really. For me, unarguably the greatest heavy metal band of all time,
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Review: Cirith Ungol ‘Forever Black’
Who in their wildest dreams would have predicted such a distinguished return from the Ventura metal giants? This is their
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Review: Constance Tomb ‘Constance Tomb’
Tony Reed can hardly be accused of idleness, not only is he a member of several bands, including Mos Generator,
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Review: Collision ‘The Final Kill’
Today I have the honour of reviewing the final release from Dutch grindcore stalwarts, Collision, with their new record The
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Review: Candlemass ‘The Pendulum’
Candlemass are one of the godfathers of what is now commonly known as Epic Doom Metal, characterised by high pitched
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Review: Coil ‘Stolen & Contaminated Songs’
Founded in London, England in the early 1980s Coil were a unique musical entity that defined the word ‘experimental’. Originally
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Review: Cycle ‘Cosmic Clouds’
Rise Above’s Relics series has been around for a respectable amount of time, repressing the kind of records that collectors
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Review: Cold In Berlin ‘Rituals Of Surrender’
Cold In Berlin’s previous album, The Comfort Of Loss & Dust, was one of my favourite releases from 2015. Something
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Review: Canyon Of The Skull ‘Sins Of The Past’
From the band name, track lengths (two tracks…60 minute release…) and the starry desertscape on the cover art, an unwary
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