Review: Bloodswamp ‘Daylight Illuminates A Miserable World’
If you’ve heard the saying, ‘it’s all about balance’ and actually believed tempering emotional extremes was conducive to great art,
Read More >>
Author: Jeremy Moore
Review: Titan To Tachyons ‘Cactides’
NYC’s Titans To Tachyons is a new instrumental progressive jazz power trio featuring guitarist Sally Gates (ex-Orbweaver, ex-Gigan), with Kenny
Read More >>
Review: 10,000 Years ‘10,000 Years’ EP
Sweden’s a rough terrain for new bands trying to distinguish themselves from the pack; it doesn’t matter what genre or
Read More >>
Review: Saavik ‘Saavik’ EP
Whenever the term ‘supergroup’ is tossed around for an impending release, I always take pause because that label can serve
Read More >>
Review: Wrekmeister Harmonies ‘We Love To Look At The Carnage’
For some, great music is just a series of notes and beats, anonymously filling the background as an alternative to
Read More >>
Review: The Janitors ‘Drone Heads’
At this point in my life I don’t really claim to be an aficionado of much except trusting my gut
Read More >>
Review: Rainbow Grave ‘No You’
How do you criticize misanthropy if everyone in the world actually deserves to be hated? So begs the question when
Read More >>
Review: Cain – S/T
Innovation in artistic expression is often under appreciated, especially in a music industry with sensibilities unaccustomed to dramatic change—the early
Read More >>
Farflung ‘5’ 2016
I don’t think NASA realizes we’ve been manning missions to Mars since the early nineties – at least where Farflung’s
Read More >>
Sourvein ‘Aquatic Occult’ CD/LP/DD 2016
Cape Fear River, NC natives Sourvein shouldn’t need an introduction, having pioneered an American southern doom scene with enough history
Read More >>
Graves At Sea ‘The Curse That Is’ CD/LP/DD 2016
With its eclectic, eco-friendly vibe, Portland, OR’s earth-centered urbania meets hipster-hippie chic has made it ripe for satirical comedo-drama (check
Read More >>