Review: William S. Burroughs & Brion Gysin
Like a popular referendum on any oppressive government, the Beat Generation of the 1950s too was a renunciation of the
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Author: Jeremy Moore
Review: Heavy Trip ‘Heavy Trip’
A cult video has been circulating in the haze of rock’s underground – part stoner, part myth, part freak, all
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Review: Årabrot ‘The World Must Be Destroyed’ EP
In anticipation of their upcoming 2021 full length Norwegian Gothic, releases April 9th on Pelagic Records and available for pre-order,
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Review: Vetus Supulcrum ‘Windswept Canyons Of Thule’
Although originally gaining traction in the late 80s and early 1990s, ‘dungeon synth’ has had a resurgence over the past
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Review: R.I.P. ‘Dead End’
RidingEasy Records easily scores the award for best sense of humor; scouring their Facebook page you’ll find merchandise, posts and
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Review: Arcadian Child ‘Protopsycho’
In an age marred by hypocrisy, misinformation, divisiveness and self doubt, it’s refreshing to see and hear a band with
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Review: Bloodswamp ‘Daylight Illuminates A Miserable World’
If you’ve heard the saying, ‘it’s all about balance’ and actually believed tempering emotional extremes was conducive to great art,
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Review: Titan To Tachyons ‘Cactides’
NYC’s Titans To Tachyons is a new instrumental progressive jazz power trio featuring guitarist Sally Gates (ex-Orbweaver, ex-Gigan), with Kenny
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Review: 10,000 Years ‘10,000 Years’ EP
Sweden’s a rough terrain for new bands trying to distinguish themselves from the pack; it doesn’t matter what genre or
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Review: Saavik ‘Saavik’ EP
Whenever the term ‘supergroup’ is tossed around for an impending release, I always take pause because that label can serve
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Review: Wrekmeister Harmonies ‘We Love To Look At The Carnage’
For some, great music is just a series of notes and beats, anonymously filling the background as an alternative to
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