Review: Vetus Supulcrum ‘Windswept Canyons Of Thule’
Although originally gaining traction in the late 80s and early 1990s, ‘dungeon synth’ has had a resurgence over the past
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Author: Jeremy Moore
Review: R.I.P. ‘Dead End’
RidingEasy Records easily scores the award for best sense of humor; scouring their Facebook page you’ll find merchandise, posts and
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Review: Arcadian Child ‘Protopsycho’
In an age marred by hypocrisy, misinformation, divisiveness and self doubt, it’s refreshing to see and hear a band with
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Review: Bloodswamp ‘Daylight Illuminates A Miserable World’
If you’ve heard the saying, ‘it’s all about balance’ and actually believed tempering emotional extremes was conducive to great art,
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Review: Titan To Tachyons ‘Cactides’
NYC’s Titans To Tachyons is a new instrumental progressive jazz power trio featuring guitarist Sally Gates (ex-Orbweaver, ex-Gigan), with Kenny
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Review: 10,000 Years ‘10,000 Years’ EP
Sweden’s a rough terrain for new bands trying to distinguish themselves from the pack; it doesn’t matter what genre or
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Review: Saavik ‘Saavik’ EP
Whenever the term ‘supergroup’ is tossed around for an impending release, I always take pause because that label can serve
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Review: Wrekmeister Harmonies ‘We Love To Look At The Carnage’
For some, great music is just a series of notes and beats, anonymously filling the background as an alternative to
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Review: The Janitors ‘Drone Heads’
At this point in my life I don’t really claim to be an aficionado of much except trusting my gut
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Review: Rainbow Grave ‘No You’
How do you criticize misanthropy if everyone in the world actually deserves to be hated? So begs the question when
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Review: Cain – S/T
Innovation in artistic expression is often under appreciated, especially in a music industry with sensibilities unaccustomed to dramatic change—the early
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