Review: Dawn Ray’d ‘Wild Fire’ EP
It’s fair to say that Dawn Ray’d are a band who have gained prominence as much for their distinctive message
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Prosthetic Records
Review: Horndal ‘Lake Drinker’
The press release that accompanies the second album by the band that shares its name with a former town, now
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Review: Body Void ‘Bury Me Beneath This Rotting Earth’
It’s always worthwhile to dwell on your own mortality. As slaves to the human condition, we spend so much of
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Review: Sarin ‘You Can’t Go Back’
You Can’t Go Back is the third album release from Toronto’s Sarin. Primarily focussed on the more immediate end of
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Review: Werewolves ‘What A Time To Be Alive’
Flashing by in a nine track, thirty five minute blur, Werewolves have ascribed to the aesthetic of no fat, leave
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Review: Undeath ‘Lesions Of A Different Kind’
The debut full length from rabid death metallers Undeath is an event I have looked forward to since their 2019
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Review: Fires In The Distance ‘Echoes From Deep November’
Prosthetic Records have a long pedigree of releasing some of the most cutting edge heavy music since their inception in
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Review: Rebel Wizard ‘Magickal Mystical Indifference’
Being a music listener of some 26 years, I have encountered all sorts of weird and wonderful genre names but
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Review: Vile Creature ‘Glory, Glory! Apathy Took Helm!’
Vile Creature’s latest full-length begins with a howl of such ferocity that, even if the rest of the album’s forty-four
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Review: The Ditch And The Delta ‘The Ditch And The Delta’
The Ditch And The Delta is the self-titled third release from the Utah-based trio of Elliot Secrist (Guitar/Vocals), Kory Quist
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Review: WVRM ‘Colony Collapse’
Repulsion guitarist Matt Olivo described grindcore as ‘This isn’t metal, it isn’t punk, I don’t know what the fuck these
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