Review: Nadja ‘Labyrinthine’
Berlin based Canadian duo Nadja have never, to my knowledge, produced anything that you might find best suited to a
Read More >>
Author: Jamie Grimes
Review: Bastard Noise & Merzbow ‘Retribution By All Other Creatures’
Two absolute fucking titans of the underground meet to create an album together. Neither Bastard Noise nor Merzbow should need
Read More >>
Review: Bloodbox ‘Post Human Disorder’
It’s feeling increasingly usual at this point for bands to emerge from decade-plus long hiatus, more obscure ones particularly. New
Read More >>
Review: Chat Pile ‘God’s Country’
If you’ve been following the brief but fascinating rise of Chat Pile, you’ll know there’s no one else quite like
Read More >>
Review: Enchantment ‘Cold Soul Embrace’
Somewhere lost in the mists of time (or more accurately my mother’s attic), there is a box full of cassettes
Read More >>
Review: Bodyrot ‘Fleshworks’ EP
Fancy a smack in the mouth? Well metaphorically, Bodyrot are here to provide that to you with the kind of
Read More >>
Top Ten Of 2021: Jamie Grimes
First a disclaimer regarding selection: while on a personal level this year was horrific, it was an exceptionally bountiful year
Read More >>
Review: Lull ‘Moments’ Reissue
It’s a mark of quality of Mick Harris‘ work that in spite of Moments being almost a quarter of a
Read More >>
Review: Malignant Altar ‘Realms Of Exquisite Morbidity’
It feels very much like Malignant Altar‘s debut album is one of the very few underground metal debuts in recent
Read More >>
Review: Doodswens ‘Lichtvrees’
There’s a point early in Zwarte Staar, the powerful third track on this debut album by Doodswens where, in spite
Read More >>
Review: Siem Reap ‘Now What?’
If you’re familiar with his work in Oathbreaker and Wiegedood you may have some expectations with regard to what to
Read More >>