Review: Russian Circles ‘Gnosis’
November 1st! Oh sorry, I thought you clicked here to find out when I’m seeing Russian Circles live for the
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Sargent House
Review: Helms Alee ‘Keep This Be The Way’
Hot off the back of a splendiferous Roadburn Festival appearance, Helms Alee will be unleashing their highly anticipated sixth opus,
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Review: Emma Ruth Rundle ‘Orpheus Looking Back’ EP
It seems strange, in this digital era, to continue to think of music as albums, EPs, and singles. Even when
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Review: Emma Ruth Rundle ‘Engine Of Hell’
I often like to start these reviews with a little preamble, something to set the scene for what is coming.
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In Search Of Tone: Brian Cook Of Russian Circles & SUMAC
I first heard of Russian Circles a few years back and although I wasn’t a fan of instrumental music, they
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Review: Deafheaven ‘Infinite Granite’
There’s almost a sliding doors moment between Deafheaven’s latest offering and their last studio outing, 2018s Ordinary Corrupt Human Love,
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Review: Lingua Ignota ‘Sinner Get Ready’
Some gigs become more than simply a band playing their music for an audience. Some gigs reach beyond mere entertainment
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Review: Alexis Marshall ‘House Of Lull . House Of When’
How extraordinary the second act of Alexis F Marshall‘s musical career has been. Daughters were, in their initial run, a
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Review: Deafheaven ’10 Years Gone’
Allow me a moment of indulgence if you will… As a fan of both rap music and cinema, there is
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Jaye Jayle – Interview With Evan Patterson
Jaye Jale’s Prisyn is a departure from the sullen Americana and post-Swans experimentalism of Evan Patterson’s previous work. The most
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Review: Jaye Jayle ‘Prisyn’
You may be familiar with Evan Patterson via noise rock outfit Young Widows and hardcore bands The National Acrobat and
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