Review: Dopelord ‘Songs For Satan’
October 6th, 2023 will bring a brand new album from the stoner doom heavyweights of Dopelord. Their fifth full-length, lovingly
Read More >>
D
Review: Das Damen ‘1986: Keeps Me Wild’
Having become familiar with Black Flag, Husker Dü, Minutemen, Meat Puppets et al, one of the second-tier, lesser-known names on
Read More >>
Review: David Eugene Edwards ‘Hyacinth’
I’ve name-checked 16 Horsepower and Wovenhand numerous times in reviews for The Shaman, and now that I have an opportunity
Read More >>
Review: Dome La Muerte E.X.P. ‘El Santo’
‘I was given the nickname Dome La Muerte (Dome The Death) by my friends when I was young, because I
Read More >>
Review: Dead Feathers ‘Full Circle’
So, let’s not fuck around with this and just dive straight in. Quintet Dead Feathers, hailing from Chicago, are peddling
Read More >>
Review: Domkraft ‘Sonic Moons’
New York’s Magnetic Eye Records seem to have a knack for digging up bands that sit comfortably in the realms
Read More >>
Review: Drune ‘Drown’ EP
Thirty minutes of being dragged through soil to end up drowning seems like a lovely way to spend any listening
Read More >>
Review: Darsombra ‘Dumesday Book’
Formed in 2005, Darsombra are Baltimore duo Brian Daniloski (guitar, bass, vocals and sound design) and Ann Everton (synth, vocals,
Read More >>
Review: Death Mantra For Lazarus ‘DMFL’
Over the last couple of years, especially since my time of being an attendee at the Portals Festivals, I have
Read More >>
Review: Divide And Dissolve ‘Systemic’
Being part of an ethnic minority within the metal scene can be rewarding at times and exhausting at others, trust
Read More >>
Review: Dee Calhoun ‘Old Scratch Comes To Appalachia’
There’s no doubt about Screaming Mad Dee Calhoun having creativity, and that he has what it takes mentally to produce
Read More >>