Review: Nick Hans ‘The Magnolia Sessions’
‘A song could have a billion downloads on Spotify or it could live and die on a banjo on someone’s
Read More >>
Author: Rob Bryant
Review: Grayceon ‘Mothers Weavers Vultures’
A typical power trio? No, an atypical power trio – that’s what Grayceon’s Bandcamp page tells me, and the reason
Read More >>
Top Ten Of 2020: Rob Bryant
2020. I’d made my career change. I’d switched the steel-capped boots for the ESL classroom, but I was faced with
Read More >>
Review: Cristina Vane ‘The Magnolia Sessions’
This is The Magnolia Sessions number four, and I’m back in the ring to take another swing. First up was
Read More >>
Review: Johno Leeroy ‘The Magnolia Sessions’
This is the third instalment in Anti-Corporate’s superb The Magnolia Sessions series and it doesn’t disappoint. If you’ve heard the
Read More >>
Review: Witchskull ‘A Driftwood Cross’
I feel a bit guilty about this review. Why guilty? Because I consider Witchskull’s 2016 debut The Vast Electric Dark
Read More >>
Review: Jason Dea West ‘The Magnolia Sessions’
As a label, Anti-Corporate Music brings an abundance of volume and crusty intensity to the music world, but today I’m
Read More >>
Review: Ocean Gates ‘Ocean Gates’
Ocean Gates is a quintet from the north-west of Spain, and this is their self-titled debut album. It’s a new
Read More >>
Review: Matt Heckler ‘The Magnolia Sessions’
As with previous reviews, I begin with a disclaimer; I listened to Old Rub Alcohol Blues from Matt Heckler’s album
Read More >>
Review: Kitchen Witch ‘Earth And Ether’
I love the image of a Kitchen Witch. I promise I’ll try not to overuse the metaphor, but kitchens, food,
Read More >>
Review: Sweet Williams ‘That What You Hit’
Thomas House’s creative and musical endeavours are many and varied. The only one I was aware of before now was
Read More >>