Sacri Monti / Dirty Nips @ The Crofters Rights, Bristol, 28th April 2022
Things are ominously quiet when I arrive at The Croft (yes, I know it hasn’t been The Croft for a
Read More >>
Author: Harry Holmes
Senyawa / Sophrosyne / Laughter Of Saints @ Dareshack, Bristol, 21st April 2022
It feels different being out and about, Bristol in April evening sunshine casting even the post-war clutter of Wine Street
Read More >>
Review: Gnod ‘Hexen Valley’
Relatively hot on the heels of their last album, GNOD come sleazing their way back with another Rocket Recordings release.
Read More >>
Review: Tuskar ‘Matriarch’
Without really realising it I had mentally filed Tuskar as a ‘fun live, sick riffing’ band, while certainly true, it
Read More >>
Review: Kurokuma ‘Born Of Obsidian’
Kurokuma have been around for about eight years now, steadily building through a series of shorter recordings and local, UK,
Read More >>
Review: Peine Kapital ‘Ecchymoses’
From the opening sample of speech, Peine Kapital let us know that what follows is concerned with violence and freedom.
Read More >>
Review: Potemkin ‘Sludge Vol. 2’
Ah mate, sorry I’ve not been answering the phone, I’ve been trying to make some changes y’know, and just needed
Read More >>
Review: Kanaan ‘Earthbound’
Kanaan are a band that Euro heads have been tipping me off to for a while, building a rep as
Read More >>
Review: GNOD ‘La Mort Du Sens’
GNOD are back and perhaps have been taking the advice of Grover Crow – ‘Let’s not think about it, let’s
Read More >>
Review: Dust Mountain ‘Hymns For Wilderness’
April this year seems long ages ago, and much of Roadburn Festival’s spectacular effort to bring the world a piece
Read More >>
Review: Goat ‘Headsoup’
Somehow it feels like a different world back in 2012 when Goat’s debut World Music was released in all its
Read More >>