Review: Baroness ‘Stone’
The word ‘mature’ is often a means to describe where an artist finds themselves after many years on the road
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Author: Rob Walsh
Review: Tomoyuki Trio ‘Mars’
Tomoyuki Trio’s Voiceless Cry begins with a surge of gradually blaring static. It practically bubbles out of the speakers and
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Brant Bjork Trio / Yawning Balch @ Knitting Factory, North Hollywood, 8th September 2023
Originally established in New York in 1987, the Knitting Factory is something of a venue franchise here in the States.
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Review: Kita ‘Tyhjiö’
Despite being of partial Finnish ancestry, the language of Suomi has always seemed overwhelming to me (and everyone else), perhaps
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Review: KIND ‘Close Encounters’
Formed in 2013, KIND is a Boston-area sonic slab-lobbing supergroup of sorts. The quartet is made up of drummer Matt
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Review: Somnuri ‘Desiderium’
While New York’s Somnuri are described as a ‘progressive sludge’ or ‘post-sludge’ band, a term I would prefer to use
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In A World Where Confusion Reigns: Farewell To Tony McPhee (1944 – 2023)
Some unfortunate news hit on June the 6th of this year. Tony McPhee, British guitarist and founder of The Groundhogs,
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Review: Oreyeon & Lord Elephant ‘Doom Sessions Vol. 8’
Italian label Heavy Psych Sounds is certainly one of the more prominent labels in stoner and psych these days. Their
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Review: Blood Ceremony ‘The Old Ways Remain’
After seven long years since their last record, Toronto’s premier occult rockers Blood Ceremony have returned. The Old Ways Remain
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Review: The Stone Eye ‘Fata Morgana’
I make no bones about it, I bore the shit out of kids these days with tales of how awesome
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Review: Tir ‘Awaiting The Dawn’
In the best way possible, I would describe Tir’s music on his latest offering the perfect soundtrack to a medieval
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