Review: Emma Ruth Rundle & Thou ‘May Our Chambers Be Full’
Collaborative albums can be curious beasts. They often either present themselves as chimerae, their various parts combined but distinctive and
Read More >>
E
Review: Eleanora ‘Mere’
A rush of dreary associations come to mind when one thinks of Belgium; Poirot, chocolate, the European Parliament and beer.
Read More >>
Review: Elkhorn ‘Acoustic Storm’
This is a record with a story. Once there was a storm… Come in by the fire and watch the flames
Read More >>
Review: Eyes ‘Underperformer’
Underperformer is Danish metallic hardcore quintet Eyes debut full-length album and follows on from their 2018 Self-Titled EP. Jon Gotlev/No
Read More >>
Review: Exhalants ‘Atonement’
A mere three years since emerging from their layer in Austin, Texas with a demo, noise rock threesome Exhalants have
Read More >>
Review: Entry ‘Detriment’
Entry are an LA quartet consisting of vocalist Sara G, guitarist Clayton Stevens, bass player Sean Sakamoto and drummer Chris
Read More >>
Review: EMBR ‘1823’
Hailing from Alabama in the US, come Embr, who are releasing their debut album 1823 this July through UK label
Read More >>
Review: Eremit ‘Desert Of Ghouls’
Relatively new to the scene, Eremit have been around since early 2015 and have seemingly challenged themselves to create some
Read More >>
Review: Eyes Fly ‘Eyes Fly’
Four years ago an idea was birthed, a concept, a dream. That dream was Eyes Fly, and it’s the offspring
Read More >>
Review: Exhumed & Gruesome ‘Twisted Horror’
Oh boy do I love a split release! You get two bands for the price of one all in a
Read More >>
Review: Enablers ‘Pigeon Diaries’
Enablers are a four piece based in San Francisco and consist of Joe Goldring (guitar), Kevin Thomson (Guitar), vocalist/poet Pete
Read More >>