Review: Poison Ruïn ‘Härvest’
Poison Ruïn are a Philadelphia quartet comprised of Mac Kennedy – vocals/guitar, Nao Demand – guitar, Allen Chapman – drums
Read More >>
Featured
Review: 1782 ‘Clamor Luciferi’
I’ve never been into 1782, but that changed after hearing Clamor Luciferi. Much like the bands that we all love,
Read More >>
Review: Walking Bombs ‘Spiritual Dreams Above Empty Promises’
Since reviewing 2021’s excellent Tears We Should Have Shed, Walking Bombs aka Morgan Y Evans have put out a few
Read More >>
Review: Mork ‘Dypet’
Formed in 2004, the Halden-bound ever-prolific one-man act Mork, aka Thomas Eriksen, ventures back again into the misanthropic wilderness with
Read More >>
Review: The Golden Grass ‘Life Is Much Stranger’
As strange as it might sound, for all of its cultural prominence, I sometimes think New York City is, at
Read More >>
Review: Treedeon ‘New World Hoarder’
German sludge doomsters Treedeon have returned after a five-year absence to bring us New World Hoarder that’s out now through
Read More >>
Review: WyndRider ‘WyndRider’
I’ve always enjoyed female vocalists in stoner and doom. The dichotomy of heavy riffs, plodding tempos, and female voices across
Read More >>
Review: Hail The Void ‘Memento Mori’
Hailing from the remote wilderness of British Columbia, Canada, Hail The Void have already made their mark in the form
Read More >>
Review: Liturgy ‘93696’
This album is epic in the traditional sense of the word. The first track, Daily Bread, opens with Ravenna Hunt-Hendrix‘s
Read More >>
Review: Morass Of Molasses ‘End All We Know’
With releases from the likes of Dozer, Acid King, Yawning Man and fellow Ripple Music label mates Wolfnaut, 2023 looks
Read More >>
Premiere: Allfather ‘A Violent Truth’ – New Album Of Sludgy Blackened Hardcore Drops This Friday
It’s that midpoint of yet another mundane working week, so what better way to break up the monotony than pulverising
Read More >>