Review: High Time ‘High Time’
A high-octane assault introduces us to Liverpool’s three-piece High Time formed in the past few years during lockdown and contemporaries
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Author: Tim Keppie
Review: Menk ‘II’
Formed in St Petersburg, Russia at ‘Slam City’ underground club by two like-minded souls Yury and KInll, both with a
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Review: Morlock ‘The Outcasts’
This, the second release from Morlock and Andrew Prestidge (synthesist and drummer) (Zoltan, Warning, 40 Watt Sun, The Osiris Club)
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Review: Executioner’s Mask ‘Winterlong’
Heavily influenced by the ’80s UK post-punk and goth scene, Executioner’s Mask are clearly drawing on their influences with Winterlong.
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Review: Fuzz Meadows ‘Orange Sunshine’
Rarely does a band deliver a debut album brimming over with such imagination, aggression and tenderness but also with an
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Review: Veiled ‘Artefacts’
One of the dark, ambient electronic projects of Daniel James Dolby. Six tracks on this release demonstrate his ability to
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Review: Magic Shoppe ‘Mono Lake’
Hailing from Boston, Massachusetts and boasting a more than reasonable following on Bandcamp, I am informed that Magic Shoppe are
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Review: Thurston Moore ‘Screen Time’
Thurston Moore needs little introduction, best known as the extremely inventive and experimental guitarist/singer with Sonic Youth, also as an
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Review: First Draft ‘Declines Are Long Gone’
French in origin and formed five years ago in 2016, duo Marine Arnoult on drums and vocals and Clement Douam
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Review: ROT T.V. ‘Tales Of Torment’
Unusually named denim and leather classic rock, miscreants ROT T.V. allegedly have been kicking up a storm down under since
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Dead Space Chamber Music: Interview With The Medieval Neo-Folk Quartet
In relation to my recently published review of the dark neo-classical beauty that is The Black Hours, Dead Space Chamber
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