Review: Bell Witch ‘Future’s Shadow Part 1: The Clandestine Gate’
The cataclysmic rendering of Bell Witch‘s Mirror Reaper record still reverberates through the extreme music scene to this day, over
Read More >>
Author: Sandy Williamson
Review: Exploding Corpse Action ‘Inter-Dimensional Annihilation: Complete Transmissions 1995-1997’
Albany, New York was the home of Exploding Corpse Action, one of the greatest band names of all time, and
Read More >>
Review: Megalith Levitation ‘Obscure Fire’
Russian acid doom lords Megalith Levitation first spouted forth from their home of Chelyabinsk (yup, apocalyptic meteor town) in 2016
Read More >>
Review: Treedeon ‘New World Hoarder’
German sludge doomsters Treedeon have returned after a five-year absence to bring us New World Hoarder that’s out now through
Read More >>
Review: OAK ‘Disintegrate’
Portugal’s OAK, one of many with the same name on the Encyclopaedia Metallum, are a band whose journey began on
Read More >>
Review: Sorrowful Land ‘Faded Anchors Of The Past’
Ukrainian one-man death/doom act Sorrowful Land have returned from a five-year break to release their third full-length through Black Lion
Read More >>
Review: Lüger ‘Revelations Of The Sacred Skull’
Lüger hail from Montreal, Canada and their particular brand of sleazy doom rock/heavy metal has always been an infectious riot
Read More >>
Review: Iron Void ‘IV’
I first came across traditional doom lords Iron Void when I reviewed their second record back in my first year
Read More >>
Review: SKÁLD ‘Huldufólk’
With the explosion in popularity of the Vikings TV shows, Wardruna and Norse culture in general, it is amazing how
Read More >>
Review: Tribunal ‘The Weight Of Remembrance’
A brand new entity of deep gothic doom, Vancouver duo Tribunal bring the crushing, velvety darkness on their debut record
Read More >>
Review: Boris ‘Fade’
THREE new Boris records in 2022? Man, I am a blessed human to have this much of my favourite band
Read More >>