Review: Jon Free And Neddal Ayad ‘Emerald’
A short and sweet joint effort here from two guitarists who both operate in the instrumental realm. The UK’s Jon
Read More >>
Experimental
Review: Coil ‘Stolen & Contaminated Songs’
Founded in London, England in the early 1980s Coil were a unique musical entity that defined the word ‘experimental’. Originally
Read More >>
Review: Insect Ark ‘The Vanishing’
Insect Ark are a project of multi-instrumentalist Dana Schechter of Bee and Flower who has played with such luminaries as
Read More >>
Review: Wrekmeister Harmonies ‘We Love To Look At The Carnage’
For some, great music is just a series of notes and beats, anonymously filling the background as an alternative to
Read More >>
Review: Last Call At Nightowls ‘Ask The Dust’
Tonight, is the perfect time to be reviewing Last Call At Nightowls’ debut release, Ask The Dust, what with the
Read More >>
Review: Nous ‘Nous II’
Going through a band’s history, describing their artistic goals, or picking apart the press release can usually do a lot
Read More >>
Review: Andrew DR Abbott ‘Dead In Chellow Dean’
Andrew DR Abbott is an artist, musician, and writer based in the UK. You may know him from weird rhythmic
Read More >>
Review: Lindy-Fay Hella ‘Seafarer’
Originally born out of a desire to explore her own musical desires as well as the power of voice, Lindy-Fay
Read More >>
Review: Circle ‘Terminal’ 2017
The Finnish collective that makes up Circle are one of those bands that have gathered a small dictionary of words
Read More >>
Barrabus – S/T – 2017
Gather round, children, and I’ll tell you a tale. The year was 2007, the weather was British and there were
Read More >>
Emptiness ‘Not For Music’ 2017
For some strange reason, everyone keeps calling Emptiness a black/death metal band. I might be quite late to the party
Read More >>