If you’re a regular on the British sludge metal circuit, you might be forgiven if you’d discovered Brighton-based Grey Widow in their infancy and dismissed them as being a little bit gimmicky. Prominent in the underground for a few years now, the short-term amusement…
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The United Kingdom group has been a busy bunch in the past period of time, and this one is actually from a little while ago. The EP is an odd inbetweener, allowing Crippled Black Phoenix to do something different and also to break the…
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When I first heard that Mike ‘Muleboy’ Makela of Bongzilla had a new side project early 2016, I’ll openly admit I was a little anxious to hear it in case it didn’t quite match up to his primary band’s musical output, of which I…
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Gather round, children, and I’ll tell you a tale. The year was 2007, the weather was British and there were fell voices in the air. SikTh, those technical metal titans, were saying goodbye after just two excellent albums, and I realised that I had…
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Once known as the Phantoms of the German Doom scene for their perceived phobia of the studio, Teutonic heavy groove monsters Obelyskkh went through a burst of productivity that saw them release Mount Nysa in 2011, White Lightnin’ in 2012 and their creative peak,…
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As far as music goes, Crippled Black Phoenix are hard to really put in a box. Their sound really is something special, embracing different aspects in a mixture that is dreamy and heavy at the same time. Bronze is their sixth full length effort…
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On the face of it, the name Unortheta doesn’t give much away. Neither does Zhrine, the name of the Icelandic band behind it. The cover art is the only thing that hints at the madness within. Cliffs suspended on a cuboid island that hovers…
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For some strange reason, everyone keeps calling Emptiness a black/death metal band. I might be quite late to the party (Not For Music is the band’s fifth full-length, not including three demos), but I don’t get the use of the label. Although it is…
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With Harvestman, Neurosis’ Steve Von Till has been exploring a much less bombastic form of music; arboreal, earthy and yet still dark in its own shadowy way. With Music For Monoliths however, he’s moved entirely out of the nocturnal storm clouds and into the…
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Just under three years ago Stoke on Trent’s Space Witch released their Self-Titled debut LP consisting of two thirty-plus minute tracks of monolithic space doom. Now it’s 2017 and Space Witch are back with a more streamlined line-up (having parted ways with guitarist Lee…
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